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三个螺栓ents Win Best Of Show For Their 艺术

Three students received Best of Show awards for their artwork, 哪一个 is currently on display in the 乔治沃特斯艺术画廊. Their work is part of the annual juried Senior 艺术 and Selected Student Works Show, 哪一个, in addition to spotlighting the EC senior 艺术 主要s, included notable works from students in all class years. The full show will be on display through May 9, and the seniors' work will remain until graduation on May 19.

赢家:
  • First Place: Hollis Berry ’25, 艺术 主要
  • Second Place: Rebecca Verdonck ’24, 艺术 主要
  • Third Place: Miranda Waterman ’25, 心理学 主要

Alumna Lynne Rusinko ’90, president of mg冰球突破豪华版下载社区艺术, judged the show and awarded the prizes.

关于最佳展示作品

三个螺栓ents Win Best Of Show For Their 艺术

First place: Carved oak and cherry sculpture by Hollis Berry '25.

“I felt shocked and I wasn’t really expecting to win,” shared Berry when asked about earning first place. “What inspired my pieces was to create fluidity in a functional object such as a stool.”

授予贝瑞第一名, Rusinko说, “总的来说, the artistic impact of the work elevates us and is more than the piece itself. It transcends form and function.”

三个螺栓ents Win Best Of Show For Their 艺术

Second place: 艺术 by Rebecca Verdonck ’24.

“I was so shocked and happy to hear that I won an award for my work,” exclaimed Verdonck. “Each piece just had my own passion for birds within them and I’m glad it came across!”

Rusinko说 Verdonck’s pieces “illustrated her skilled technique that transforms the artwork into a soulful story of her subjects in a way that gives us the honor of standing with the birds in their special space and place.”

三个螺栓ents Win Best Of Show For Their 艺术

Third place: A 17-inch ceramics piece by Miranda Waterman ’25.

“When I learned I won Best in Show, I was super excited,” shared Waterman. 在制作作品的时候, I didn’t have anything specific in mind other than the shape and technique of coil pots. I just wanted the fluidity of the piece to lead me where it was meant to go and was very happy with the end result!”

Rusinko说 that Waterman’s “choice and application of glazes and the shape of her work transports us to a spiritual beauty, whatever that spirituality might be for each of us, or at the least it opens us to the possibility of something beyond ourselves.”

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